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ARPA Journal is a biannual digital publication that serves as a public forum for debate on applied research practices in architecture.

Issue 05, Conflicts of Interest

Harvesting Change

An interview with Sweet Water Foundation’s Emmanuel Pratt

How funding shapes work. How work shapes funding.

Issue 04, Instruments of Service

The Art of the Slump

by Michelle Fornabai

The fleeting fate and enduring potential of the slump test.

Issue 04, Instruments of Service

A New Normal

by Filip Tejchman

Encyclopedias, reference manuals and the codification of disciplinary expertise.

Issue 04, Instruments of Service

Smartness as Instrument

by Orit Halpern

Decision making and the legacy of the nervous net.

Issue 03, Performance

Organic Algorithm, Organic Urbanism

by Travis Jared Marmarellis Bunt and Mathew Staudt, with Tat Lam and Timmie King Hong Tsang

Re-processing Beijing’s hutong villages.

Issue 03, Performance

Efficiency As Integration

A conversation with Mahadev Raman

Triple bottom line.

Issue 03, Performance

The Subjects of Performance

by Neeraj Bhatia

Architecture and the open work.

Issue 03, Performance

Cloud Theater

by Wolfgang Kessling and Christian Oberdorf, Transsolar

Don’t let performance kill the poetry.

Issue 02, The Search Engine

Big Data, False Data, Smart Data, Dumb Data

By Nicole Lambrou

Measuring the human condition.

Issue 01, Test Subjects

Sandbox Infrastructure

By Matthew Wisnioski and Kari Zacharias

Field notes from the arts research boom.

Issue 01, Test Subjects

The City is Not a Lab

by Leah Meisterlin

How (not) to experiment in a volatile, uncertain, complex and ambiguous world.

17_War Room LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
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Talk about money with us! Issue 05, "Conflicts of Interest," Abstracts due Sep 1. bit.ly/1CUsLVz . https://t.co/7ZkPd7q4VU

Tue July 12, 2016 18:16

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