Issue 05, Conflicts of Interest
Speculative
by Sara Stevens
Design and capital in the work of Gerald Hines.
Issue 05, Conflicts of Interest
Towards Dematerialization
By Frédéric Schnee
Nicolas Schöffer’s Maison Spatiodynamique à Cloisons Invisibles.
Issue 04, Instruments of Service
A New Normal
by Filip Tejchman
Encyclopedias, reference manuals and the codification of disciplinary expertise.
Issue 03, Performance
Choreographing Contingency
by Gabriel Fries-Briggs, Brendan Shea and Nicholas Pajerski of Reimaging
How to improvise with robots.
Issue 02, The Search Engine
Counter Intuition
A conversation with Benedict Clouette
Searching on unstable ground.
Issue 01, Test Subjects
Sandbox Infrastructure
By Matthew Wisnioski and Kari Zacharias
Field notes from the arts research boom.
Contributors
EMILY ABRUZZO Contributor. Emily Abruzzo, AIA, LEED AP is partner in ABRUZZO BODZIAK ARCHITECTS, recipients of the 2010 Architectural League Prize, AIA New Practices New York 2012, and selected for the New York City Department of Design + Construction Excellence Program. She is a Fellow of The Forum and Institute for Urban Design, and a […]
LABORATORY SERIES. No.12. James Watt’s attic workshop. Locked and untouched after his death in 1819, the workshop was described by biographer JP Muirhead as an industrial shrine to the Steam Engineer, “where no profane hand had been allowed to violate the sanctities of the magical retreat.” Moved piece by piece from his home in Heathfield, the 20 ft x 15 ft workshop, which contains over 8,430 objects, now sits in its preserved state in the Science Museum in London. Photo: Wikipedia.
