Issue 04, Instruments of Service
From Instrument to Evidence
by Magdalena Miłosz
Selections from an archive of assimilation.
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
