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Editors' Notes:

Issue 02 critique

Big Data, False Data, Smart Data, Dumb Data

Posted on November 18, 2014, updated on October 14, 2015 by admin

By Nicole Lambrou

Measuring the human condition.

Posted in Article, Issue 02 critique

The Epistemology of Search

Posted on November 13, 2014, updated on October 14, 2015 by admin

An interview with David Joselit

Architecture after the ‘Era of Art.’

Posted in Article, Issue 02 critique

Cloud Crystallizing

Posted on November 13, 2014, updated on October 14, 2015 by admin

by Lydia Kallipoliti

A giant storage container of merchandize, data and waste.

Posted in Article, Issue 02 critique

Counter Intuition

Posted on November 12, 2014, updated on October 14, 2015 by admin

A conversation with Benedict Clouette

Searching on unstable ground.

Posted in Article, Issue 02 critique Tagged AMO, BIM, C-Lab, Google, Koolhaas, parametricism, search, Volume

Knowledge Design

Posted on October 13, 2014, updated on October 14, 2015 by admin

An interview with Jeffrey Schnapp

Doing history in real time.

Posted in Article, Issue 02 critique Tagged architecture, archive, big data, creativity, culture, data, design, digital humanities, history, internet, originality, search, statistics, web
08_SMRod Dickinson Milgram Reenactment LABORATORY SERIES. No.08. Artist Rod Dickinson’s The Milgram Re-enactment, in collaboration with Graeme Edler and Steve Ruston, 2002. The three and a half hour live performance re-staged Stanley Milgram’s Yale University experiment, “Obedience to Authority,” using an exact replica of Milgram’s laboratory, including original electro shock equipment from the 1960s. A video accompanied the piece, which recorded eight iterations of the performance in real-time. Photo Courtesy of Rod Dickinson.
LABORATORY SERIES. No.08. Artist Rod Dickinson’s The Milgram Re-enactment, in collaboration with Graeme Edler and Steve Ruston, 2002. The three and a half hour live performance re-staged Stanley Milgram’s Yale University experiment, “Obedience to Authority,” using an exact replica of Milgram’s laboratory, including original electro shock equipment from the 1960s. A video accompanied the piece, which recorded eight iterations of the performance in real-time. Photo Courtesy of Rod Dickinson.
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