LABORATORY SERIES. No.07. Installation view of Roxy Paine’s Control Room at Kavi Gupta | Elizabeth St, 2013. Steel, wood, automotive paint, glass, 12' 5" x 18' 2 3/8" x 13' 7." Part power plant, part space-race agency, part recording studio, Control Room’s dashboard is an index of different operating and monitoring devices. It is timeless, devoid of a human operator and frozen as a diorama in the gallery space. Photo Courtesy of Joseph Rynkiewicz & Kavi Gupta Chicago | Berlin.
LABORATORY SERIES. No.07. Installation view of Roxy Paine’s Control Room at Kavi Gupta | Elizabeth St, 2013. Steel, wood, automotive paint, glass, 12' 5" x 18' 2 3/8" x 13' 7." Part power plant, part space-race agency, part recording studio, Control Room’s dashboard is an index of different operating and monitoring devices. It is timeless, devoid of a human operator and frozen as a diorama in the gallery space. Photo Courtesy of Joseph Rynkiewicz & Kavi Gupta Chicago | Berlin.
LABORATORY SERIES. No.08. Artist Rod Dickinson’s The Milgram Re-enactment, in collaboration with Graeme Edler and Steve Ruston, 2002. The three and a half hour live performance re-staged Stanley Milgram’s Yale University experiment, “Obedience to Authority,” using an exact replica of Milgram’s laboratory, including original electro shock equipment from the 1960s. A video accompanied the piece, which recorded eight iterations of the performance in real-time. Photo Courtesy of Rod Dickinson.
