LABORATORY SERIES. No.12. James Watt’s attic workshop. Locked and untouched after his death in 1819, the workshop was described by biographer JP Muirhead as an industrial shrine to the Steam Engineer, “where no profane hand had been allowed to violate the sanctities of the magical retreat.” Moved piece by piece from his home in Heathfield, the 20 ft x 15 ft workshop, which contains over 8,430 objects, now sits in its preserved state in the Science Museum in London. Photo: Wikipedia.
LABORATORY SERIES. No.12. James Watt’s attic workshop. Locked and untouched after his death in 1819, the workshop was described by biographer JP Muirhead as an industrial shrine to the Steam Engineer, “where no profane hand had been allowed to violate the sanctities of the magical retreat.” Moved piece by piece from his home in Heathfield, the 20 ft x 15 ft workshop, which contains over 8,430 objects, now sits in its preserved state in the Science Museum in London. Photo: Wikipedia.
LABORATORY SERIES. No.08. Artist Rod Dickinson’s The Milgram Re-enactment, in collaboration with Graeme Edler and Steve Ruston, 2002. The three and a half hour live performance re-staged Stanley Milgram’s Yale University experiment, “Obedience to Authority,” using an exact replica of Milgram’s laboratory, including original electro shock equipment from the 1960s. A video accompanied the piece, which recorded eight iterations of the performance in real-time. Photo Courtesy of Rod Dickinson.
