LABORATORY SERIES. No.14. Stanford Prison Experiment application for approval of non-medical research involving human subjects, 1971. In an attempt to study the psychological effects of institutionalized power in the prison system, the experiment randomly assigned twenty-four male students (all of which were deemed the “most” healthy and stable) roles as prisoners and guards. Beginning with the arrest of participants in their homes without warning, prisoners were fingerprinted, booked and stripped of all personal possessions. Guards dressed in khaki uniforms and dark sunglasses monitored the prisoners behind bars in the basement of a Stanford University building. The simulation only lasted six days as prisoners were continually taunted, deprived of sleep and stripped naked. Photo Courtesy of the Stanford Prison Experiment
LABORATORY SERIES. No.14. Stanford Prison Experiment application for approval of non-medical research involving human subjects, 1971. In an attempt to study the psychological effects of institutionalized power in the prison system, the experiment randomly assigned twenty-four male students (all of which were deemed the “most” healthy and stable) roles as prisoners and guards. Beginning with the arrest of participants in their homes without warning, prisoners were fingerprinted, booked and stripped of all personal possessions. Guards dressed in khaki uniforms and dark sunglasses monitored the prisoners behind bars in the basement of a Stanford University building. The simulation only lasted six days as prisoners were continually taunted, deprived of sleep and stripped naked. Photo Courtesy of the Stanford Prison Experiment
LABORATORY SERIES. No.07. Installation view of Roxy Paine’s Control Room at Kavi Gupta | Elizabeth St, 2013. Steel, wood, automotive paint, glass, 12' 5" x 18' 2 3/8" x 13' 7." Part power plant, part space-race agency, part recording studio, Control Room’s dashboard is an index of different operating and monitoring devices. It is timeless, devoid of a human operator and frozen as a diorama in the gallery space. Photo Courtesy of Joseph Rynkiewicz & Kavi Gupta Chicago | Berlin.
