A.R.P.A. Journal
  • Search
  • Search the Search
  • Tags
  • Bibliography
  • About
  • Announcements
  • Contributors
  • Join Our Mailing List
  • A.R.P.A. Journal
  • >
  • Tags
  • >
  • criteria of truth

Editors' Notes:

Issue 01, Test Subjects

Bioplastics!

by Meredith Miller

From the kitchen to the field.

Issue 01, Test Subjects

Learning from Schools

By Gabu Heindl

Close a door, draw a line.

Issue 01, Test Subjects

Screen Testing, Test Driving

by Jennifer W. Leung

Research as a place apart.

Issue 01, Test Subjects

Task Environment

An interview with Arindam Dutta

Architecture and the ‘Creative Economy.’

Issue 01, Test Subjects

The Trouble with Certainty

by Avigail Sachs

An op-ed on the wickedness of application.

17_War Room LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
A.R.P.A. Journal
  •  Search
  •  Search the Search
  •  Tags
  •  Bibliography
  • About
  • Announcements
  • Contributors
  • Join Our Mailing List
Loading...
Loading...