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Editors' Notes:

Issue 01, Test Subjects

Design Forward, Reverse Engineer

An interview with Cory Brugger

How Morphosis manages to take risks.

Issue 01, Test Subjects

If The Dust Never Settles

By Phu Hoang, MODU

Uncontrolling weather control.

Issue 01, Test Subjects

The Minstrel’s Lab

by Lucía Jalón Oyarzun & Mateo Fernández-Muro

Taking steps to experiment upon ourselves.

Issue 01, Test Subjects

Learning from Schools

By Gabu Heindl

Close a door, draw a line.

Issue 01, Test Subjects

An Interview on Interviews

Andrés Jaque in conversation with Patrick Joseph Craine and Rodrigo Valenzuela Jerez.

Issue 01, Test Subjects

Screen Testing, Test Driving

by Jennifer W. Leung

Research as a place apart.

Issue 01, Test Subjects

Task Environment

An interview with Arindam Dutta

Architecture and the ‘Creative Economy.’

Issue 01, Test Subjects

The Thermoheliodon

by Daniel Barber

Climatic architecture at the end of calculation.

17_War Room LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
A.R.P.A. Journal
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