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Editors' Notes:

Issue 01, Test Subjects

Five Ways to Fix an Energy Business

By Elliott P. Montgomery

Social measurement of the unlikely.

Issue 01, Test Subjects

Sandbox Infrastructure

By Matthew Wisnioski and Kari Zacharias

Field notes from the arts research boom.

Issue 01, Test Subjects

Screen Testing, Test Driving

by Jennifer W. Leung

Research as a place apart.

Issue 01, Test Subjects

Task Environment

An interview with Arindam Dutta

Architecture and the ‘Creative Economy.’

Issue 01, Test Subjects

The Trouble with Certainty

by Avigail Sachs

An op-ed on the wickedness of application.

17_War Room LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
LABORATORY SERIES. No.16. Model Replica of Stanley Kubrick’s War Room from the Stanley Kubrick Retrospective at LACMA, 2012-13. Fortified within a concrete bunker, the War Room in Kubrick’s “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” imagined cold war political strategy as a giant poker table around which world leaders gambled the fate of nuclear fallout. Photo: Wikipedia
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